The object of enquiry (and the contextualization required) is twofold: the epigraphic inscription itself, replaced in its original context, and the reception of this same inscription through rubbings in ink on paper.

Belgians encountered Asian art at the turn of the century at universal exhibitions, through pieces sent over by foreign national committees.

The term chinoiserie refers to Chinese-inspired objects produced in Europe. These pieces might have, in turn, inspired Chinese artisans when producing goods for export.